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Love your camera, but hate your pictures?  Learn the secrets of the Kodachrome shooters at www.FriedmanArchives.com/seminars

Faster Flash Recycling Times - Another Set of Family Portraits

I can't believe it's been two years since I took studio portraits of our children and grandchild.  Only now the family is larger - our 2nd grandson is starring in this set.

I'll go into more details about how I made these in a minute (including how I got around the flash recycling requirements when shooting an uncooperative 2-year-old), but first here are a few of my favorite shots from the session (and as always, click on any image to make it larger):

Lessons from Shooting Radioactive Tomatoes

The shot above is a stock shot, using tomatoes taken from our garden out in back.  (Must have been the soil mix responsible for the largeness of the left one...)   Below is the identical shot, taken on a tripod with a cable release, using just the ambient room lighting:

Deleting Images Forever / Screen Saver for Photographers

Dear Gary,

I am very much enjoying your posts, and as always, they inspire me to pick up my camera (aging but still wholly capable KM-7D) and get snapping.

Now, then ... given the deluge of shots the digital age imposes on us, a blog post on post-processing workflow to get things down to a manageable number would be VERY much appreciated!!!  I know, I know ... start with a glasses off, thumbnail view and take it from there.   But WHERE to take it?  Thumbnail view gives a good starting point with respect to composition & lighting, etc., but so much can be done in post production (especially with RAW files) that I wonder sometimes how to select between a half-dozen very similar shots.  What should a basic keep/discard-rank decision heirarchy look like to make this efficient and unplug the front end of the post processing workflow ... and unclutter my folders?  I've heard that stacks are useful, but then aren't you simply keeping second rate photos that should simply be discarded?  I haven't managed to develop an effective, cut-throat process to help me let go of the also-rans.  I'm sure that other readers face this same hurdle, where you probably do this in your sleep. 

Nova Scotia Artifacts

I remember thumbing through a National Geographic magazine back in the 1970’s, and came across what I thought was an insanely phenomenal picture: A two-page spread of an ocean scene; with a boat on the left page and the tail of a whale on the right half.  “Wow!” I said, “What are the chances of that scene happening just when the photographer’s camera was pointing in that direction?  And the camera just happened to be focused at the right place!”  (This was the days of manual focusing, folks…)  “This is an amazing once-in-a-lifetime shot!”

More on A900 Sharpness

My last blog post on using directional light to improve apparent sharpness generated a LOT of responses from full-frame Alpha 900 owners.  Below is a representative sample.  I believe this topic affects many people, and so I will share with you my reply as well:

Sharper Pictures from your Camera Phone

My father-in-law passed away a little over a week ago.  He did so on his own terms - at home, surrounded by people who loved him.  He was a great man.

For the funeral I was tasked on assembling a slide show of his life, consisting of scans of old snapshots and other media.  Two of the images caught my attention - they were both taken with my cell phone camera, but the apparent quality of one image seemed superior to another.

The 5 Dollar Studio

 “Wow!  That camera of yours takes great pictures!” said Howard, after seeing the professional-quality portrait I had just taken of him using only one flash and 5 dollars worth of white cloth.  Of course he was kidding; he was making a reference to something I had said in Day 1 of the seminar, saying that if you ever want to get punched out by a photographer, just say to them “Wow, those are great pictures!  What kind of camera do you have?”

This was at the end of Day 2 of the Orlando seminar, just after everyone had gone home, and I had agreed to use the MacGyver-esque wireless flash technique I had demonstrated on Day 1 to take a high-quality portrait of a very special seminar attendee, Howard Herman, the guy who taught me to play Jazz piano in my youth, and still one of the best piano players in Florida.  Howard, of course, was the kind of person who always felt much more comfortable behind a keyboard than in front of a camera, and so the assignment had become a double challenge: Get the light right AND get the subject comfortable, relaxed and natural.  

Hong Kong and Shenzhen - Part 2

The heat wave continues.  It’s hot and humid in Shenzhen, the mainland China province which manufacturers no end of consumer electronics goods.  How hot is it?  Here's a picture I took just five minutes after my camera emerged from the air-conditioned hotel room:

Hong Kong and Shenzhen - Part 1

I love China.  Some of you might remember the China Blog I kept when I was teaching English there in 2003.  Well, now I’m back; this time in Hong Kong on my way to the Shenzhen province, where most of the consumer electronic goods in the world are manufactured.

I’ve always been fascinated with the old part of China.  Maybe that’s why I try to balance my shots between the shiny new buildings - copied from the West and symbolize economic success and modernism – and the old, dirty parts that are its heritage.  I especially eschew Soviet era relics.  I shoot these things knowing that in about 70 years or so they will be mostly gone. Plus, I see it as providing a kind of balance to what you typically see in the press regarding modern China. (Click on any picture to make it bigger.)

The Great Firewall of China

The Great Firewall of China is blocking access to Facebook, youtube, my blog, flickr, and a host of other sites.  (Don't ask how I posted this).  No AT&T reception since I entered the Shezhen province.  Blog updates will be a little late, folks!  But I can provide this really nice photo in the meantime!

-Gary

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