Also in this issue:
- Kenya Trip Report
- Next Time in CameraCraft Magazine
- Upcoming Seminars
- In the Pipeline
The Inverse Square Law
Imagine you brought a gun into space, and fired a bullet. Newton’s first law of motion says that bullet will travel forever in the same speed and direction, unless hindered by something like spacedust or diverted by the gravitational pull of a planet or star. (You would also go flying backward when you fired the bullet, but that’s a subject for another time.)
Photons work the same way. They keep going full strength until impeded. That’s why the light from the sun isn’t attenuated by the time it hits the earth.
My parents, taken with a point-and-shoot with pop-up flash. Under these conditions, if the subjects are different distances away, only one will be exposed correctly. |
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THIS is what's really going on. The light is spreading out, so the total amount of light gets distributed in a larger area. |
But can it be said to be a law when there are so many exceptions? There are three blanket scenarios where the light falloff doesn’t adhere to this well known ‘law’:
1) Lasers
This is the most common counter-example. Laser light is famous for barely spreading out at all, allowing you to shine it at the moon and still retaining its intensity. The reason for this is that laser light is “collimated”, meaning it shines in only one direction and, unlike light from a point source, has no inclination of spreading out.
(Well, that’s a bit oversimplified… lasers do spread out, but not as rapidly as light from an incoherent light source such as a flashlight. A few websites point out that the Inverse Square Law equation for lasers has a constant associated with it: 1.96 x 10^7. So for practical purposes the law doesn’t really apply.)
2) Lights with Parabolic Reflectors
Examples of this are searchlights, or softboxes with a parabolic reflector. Instead of having the light spread out, a parabolic reflector sends all light rays in the same direction, which in theory will attenuate the light dispersion. (“In theory” because parallel light rays don’t exist in real life. They will always diverge or converge slightly.) These kinds of lights don’t spread out nearly as much as a point-source of light, and therefore the inverse-square law doesn’t apply to them.3) Lights whose surface area is significantly larger than the distance between light and subject
A third, rarely-discussed scenario is where the size of the light source (a flat panel, for instance, or an overcast sky) is significantly larger and/or closer than the subject being photographed. (See example from the Filmgear LED Flo-Box). In instances like this, empirical evidence says that the light loss is 1/d instead of 1/d2.
But What About the Subject-Camera Distance?
Interestingly, all of this light falloff calculation stuff only applies to the light that goes between the light source and the subject; it does NOT apply to the light that bounces off the subject and goes back to the camera. In that case the exposure for that bounced light remains the same even if the camera changes distance or position. How can that be?
Let’s do a thought experiment. Let’s say you double the distance between the camera and the subject, so you will have effectively 1/4 of the amount of light hitting the sensor (the inverse square law). BUT the area of the subject on the sensor that SAME LIGHT HITS has diminished by 1/4 as well (1/2 the height times 1/2 the length makes for 1/4 the area). So basically even if the light gets weaker by a factor of 4 (reflected or not), the SURFACE it has to expose diminishes by the SAME FACTOR, which makes that the exposure value stays the same.
Unintuitive, huh?
In the Pipeline
Free supplements have been distributed to owners of the Sony A1 and A9 III cameras, both covering their respective new features in Firmware update v3.0. If you didn't receive one, email me your purchase receipt and I'll send you the supplement.
The Sony A1 II ebook is still in the works. (I'm still waiting for mine to arrive... Current rumors say no new units will ship in the U.S. until April, and Sony Pro Support hasn't had any to loan out.) In the meantime you can Pre-order your copy now at a discount!
Upcoming Seminars
Surely you're familiar with the Friedman Archives High-Impact Photography Seminars by now!! The next one is being planned for San Jose, California - April 26-27, 2025 Email me (Gary at Friedman Archives dot com) if you're interested or if you know of a camera club in the area!
Next time in CameraCraft Magazine
I sit down for an interview with legendary photojournalist David H. Wells, whose 50-year career spanned several newspapers, LIFE magazine, National Geographic, Newsweek, The Sunday New York Times, Fortune, and Time. Nominiated for a Pulitzer prize, he splits his time between his home in the US and in India, where he's been teaching and working on several personal projects. I also talk to him about his pivot to short films.Subscribe to Cameracraft magazine today! (In either print or digital form!)
Kenya Trip Report
Back in December I gave you a small glimpse of the Photo Safari I hosted in Kenya. Absolutely everyone loved it, so much so that they all want to do it again in November. I thought I'd go into some more detail about the experience, since there will be a few extra slots this year.
The Accommodations
Glamping at its finest. |
Each day was similarly structured... Breakfast at 7 AM, then embark on a morning
safari (when it was still cool out); lunch at 1 PM, then a siesta until early
afternoon. Afternoon safari would then
commence; then dinner at 7, then sometimes an evening outing after dinner. Evening safaris are accompanied by near-IR
spotlights from the jeep, so as not to disturb the animals too much but still make
them photographable.
Lots of animals out our tent screen. |
One thing there really wasn’t time for, ironically, was to
go through our pictures and share best ones.
There were simply too many images to plow through – all I had time to do
was empty my memory cards, make a backup, then go socialize (or get some
sleep). The great philosopher Kenny
Rogers taught us that you don’t count your money when you’re sittin’ at the
table. They’ll be time enough for
countin’ (or picture going throughin’) when the safari’s done.
Relaxing after a full day of shooting. |
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Delivering hot and cold water for the showers. |
Monkeys were everywhere. They broke into our tent twice and stole our trail mix! |
The Food
On the plus side, the food was delicious and very western. Gourmet chefs prepared 3-course meals including desserts which everyone enjoyed. On the minus side, if we wanted to taste local cuisine, we’d have to go elsewhere. Sometimes we'd eat at the camp; often times tables were set up in the bush and we'd feast outdoors. And if you like alcohol, there's plenty to be had - all included!The Staff
This, I think, was the best part – in order to work at a
Gamewatchers camp you have to take a 2-year school where you learn encyclopedic-level
knowledge of all the animals, their habits, movements, and after awhile, their
social order. Not just knowledgeable
tour guides, they all understand the importance of good light to a photographer
and go out of their way to drive the jeep close to the animals with the sun in
the right direction.
But in terms of helpfulness, absolutely everyone in the camp went above and beyond, whether it’s wiring up a tent with electricity to accommodate a CPAP machine, to sending a forgotten iPad to the airport in time for departure, absolutely everyone made sure we had a great trip.
Same Time Next Year?
Everyone had such a good time that we all vowed to do it
again in November 2025! Details are
still congealing, but if you're thinking of joining us this year please send me
an email at Gary at Friedman Archives dot com and I’ll put you on the notification
list.
You can see my favorite pictures here. And some of the favorite photos from the participants here.
More in Uganda
I'm hoping to be heading back to Uganda in early March to follow up on the story I told you in January. There is much more of the story to tell. Stay tuned!
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Gary, the email link did not work for me and there is no info on "An upcoming seminar in San Jose, too. :-) Read all about it here:
ReplyDeletehttps://friedmanarchives.blogspot.com/2025/02/the-inverse-square-law-have-i-been.html"
Sometimes the link is automatically linked, sometimes you have to copy and paste the URL into the browser. (Every email client is different.). There is a section on this page about a possible seminar in San Jose; did you not see it?
DeleteGary - the link get you to this: Sorry, the page you were looking for in this blog does not exist.
DeleteYes, the last letter of the URL failed to get hyperlinked. My bad. Glad you were able to figure it out!
DeleteRe: Inverse Square Law
ReplyDeleteHi Gary, when time permits can you please relate this law to how light from a "speed light", (as it is referred to by Canon users and simply an external flash by the rest of us), with its rectangular shape spreads out used on camera (oc) instead of off-camera with and without an umbrella (parabolic)?
The inverse square law applies to all flashes, of any shape with any diffuser. (In theory it doesn't apply to flashes with parabolic reflectors, however that's only in theory.) The only time the law doesn't apply is in the 4 cases outlined above. GF
ReplyDeleteThank you for introducing me to the Gerenuk! The "Giraffe Gazelle"! I stared at your photo for a few seconds, trying to figure out what I was looking at. Good thing you had the explanatory caption below the photo. Funny looking... very fun!
ReplyDeleteLasers obey the same physics as parabolic reflectors and camera lenses: ideal divergence is always limited by aperture size. If you build a laser with a big 1-meter aperture to get really good collimation, the spot size on the moon will be about 600 feet. Try this at home: a laser pointer will start to diverge according to the inverse square law after travelling about six feet.
ReplyDelete!!
DeleteGary,
ReplyDeleteAn African photo safari is a dream trip for me, so hopefully in a few years I will have the time and money for it! I am curious what gear you chose to use? Which camera bodies and which lenses? And why did you choose what you did? You have access to a vast array of equipment, so what was your thoughts in planning which to take with you? Which worked out like you planned (or better)? And what -if any- did not get used much because it wasn't the right choice? I apologize for so many questions in one comment.
Thanks!
Hi, Greg! Well, some of your questions are answered in this blog post: https://friedmanarchives.blogspot.com/2024/12/four-600mm-lenses.html The rest I can answer via email: Gary at Friedman Archives dot com.
DeleteI don't know how I missed that blog post! Thanks for sharing.
Delete