Saturday, August 8, 2020

Topaz AI - As good as they claim?

Also in this Issue:

  • Monster Adapter Update
  • A Virtual Zoom Lecture for your Photo Club
  • In the Pipeline

Topaz AI - As Good as They Claim?

[Editor's note: This is an expanded version of an article which appeared in a recent edition of Cameracraft magazine.]

AI has been the buzzword in the technology industry for the last 30 years.  But when Topaz used it as a branding for their latest collection of image enhancement tools, the phrase they should have used is “deep learning”; a technique in which a learning algorithm is trained with thousands of before & after images to allow the computer to slowly learn what a good cleanup looks like.  Most people who have spent years learning how to do these things by hand in Lightroom and Photoshop may not think these new tools are anything special; for they can’t possibly improve upon a skilled retoucher.  I thought I would spend a few days testing that theory.

The data set I used were my images from my 2003 – 2004 tripto teach English in China, taken with the state-of-the-art 5 megapixel Minolta Dimage A1 camera.  At ISO 100 the image quality was wonderful; higher than that not so much.  I shot digital instead of film because I was broke and couldn’t afford the film and processing; I also didn’t have a large hard drive on my laptop so I had to shoot .jpg only for my six-month trip.  Time has added historic value to these images and so I thought I’d see what modern technology can do to clean them up.  My main goal here was clean up my entire China photo library without having to tweak every image by hand (which would have taken forever). 

Topaz offers many different tools; for this test I will use three:  1) Topaz DeNoise AI, which promises to clean up noise like a pro; 2) Topaz JPEG to RAW AI which claims to be able to get rid of .jpg compression artifacts AND expand the dynamic range of a .jpg (!), and 3) Topaz Gigapixel AI, which claims to be able to up-res an image better than Photoshop’s bicubic resampling algorithm.  (Topaz has other tools as well… see ). 

Step 1: DeNoise AI

The DeNoise program (like all of the other Topaz programs evaluated here) has a simple user interface with remarkably few controls.  It offers two noise cancelling algorithms called “DeNoise AI” and “AI Clear”.  I tried both – AI Clear seems to emphasize smoothing over noise (while sharpening fine detail); while Denoise AI seems to reduce the noise 10% but still leaves lots of detail for the purists.   It’s the old noise vs. detail tradeoff.  While I vastly preferred the results of the AI Clear algorithm, I found that when left on AUTO it tended to oversmooth skin and make things look somewhat plastic-y.  (As always, click on any image to view larger and sharper.)

Denoised by Topaz

Putting it on Manual gives you a small set of controls: Remove Noise (Low – Med – Hi), Enhance Sharpness (Low – Hi), and a Recover Details slider.  I found that settings of Medium, Low, and 25% provided good noise reduction without going overboard on smoothing.

Baoting Train - original
After denoising

Below is a good comparison between the original, Denoise AI Clear, Denoise AI, and sharpening by hand via Photoshop:

5 Heads Studying - Original
AI Clear.
Denoise AI
Hand-denoised in Photoshop
100% crop showing original vs. AI Clear.  Topaz took the liberty of sharpening the eyelashes too.)

I must say I like my Photoshopped image slighty better, but it took about 3 minutes to play with the sliders to make it look the way I wanted.  Let’s try it with a more difficult image.

Dancers with Fans - Original.  Pretty gosh darned noisy.
AI Clear
Denoise AI

Hand-denoised in Photoshop

And here are some 100% crops:

Original (left), and AI Clear (right)

Denoised by Photoshop

Once again, Photoshop wins.  This time by a lot.

Here’s an image in which the Topaz actually did a slightly better job:

Headache on Phone - Original
AI Clear
Denoise AI

Just as no single RAW conversion program does the best job on all types of images, so too will no single noise reduction tool do the best in all examples.  But the overall winner here is Photoshop in the hands of a knowledgeable retoucher.

Step 2: JPEG to RAW (!)

The next program is Topaz’ too-good-to-be-true-sounding JPG to RAW converter, which promises to get rid of .jpg compression artifacts AND expand the dynamic range of a .jpg so you can recover highlights that you thought were blown out.   That sounds impossible, but their marketing material points out that with machine learning, the old rules don’t apply and now anything is possible.  Let's see if that reasoning has merit.

Here’s the image I started with (an image already denoised via the AI Clear algorithm):

Original - Already de-noised via AI Clear
Converted to .dng - can Topaz make the .jpg compression artifacts go away?

First let’s look at how it can reduce .jpg compression artifacts.  There’s no Photoshop comparison here, as getting rid of .jpg compression artifacts is something Photoshop can’t do.  I don’t even know how one would go about algorithmically un-doing JPEG compression artifacts.  

Original (left) and converted to .dng (right)

Truthfully, I wasn’t expecting any improvement.  But there is definitely a small improvement near the eyeglasses.  On the other hand, the program also increased artifacts around the words on the whiteboard as a result of its overall sharpening of the image. 

It's worse.

Something else about the JPEG to RAW program you need to know: Not only does it convert the format from .jpg to .dng, but it also converts the color space from sRGB to ProPhoto.  Important to know if you plan on doing a batch process on the .dng files immediately after the conversion.  Don’t do it – you’ll end up with images whose color balance looks off:

Here’s an acid test for .jpg compression artifact removal.  I’ll use an image from an even earlier digital camera which appeared in one of my most-read blog posts ever, “Where the Anti-JPG bias came from” ( (and its sequel,

Converted to RAW

To attempt to get optimal results, I adjusted the image with the program in Manual mode with the Reduce JPEG artifacts slider all the way to the right; viewed at 200%:

Original (left).  Converted to DNG (right).

Not impressed.  On the other hand, I don’t think I had any right to expect even this level of improvement. 

What about the claim of increased dynamic range?  Let me use this image that appeared in an earlier issue of Cameracraft, which was shot in .jpg only (what was I thinking?) and the sky kind of blew out:

Original (left) and converted to DNG (right).  Yes, a slight improvement.

Step 3: Gigapixel AI

The last program to be tested is Topaz Gigapixel AI, designed to upsample images.  And really, the only proper way to evaluate this is to blow up the original and up-res’d image to poster size and view them from a reasonable distance.  100% crops on an A4 magazine page won’t tell you anything meaningful.

But I can summarize the results for you: At 2x, it did about the same as what Photoshop could do.  At 4x, Topaz did a little bit better.  

4x upsizing via Photoshop
4x upsizing via Topaz

Topaz could go as high as 6x but that’s just an unreasonable thing to ask.  It’s like asking the new Samsung Galaxy S20 Ultra phone to actually zoom in to 100x.  It’s not a useful capability.


So far, the differences between the Topaz and Photoshop versions of these test images are so nuanced that you really have to pixel peep to see them.  In my mind that means that the differences are not that meaningful.

BUT - here is the big thing that the Topaz tools have going for them – there are designed for people who don't want to spend half their lives learning Photoshop, but want to get Photoshop-like output with a minimum of effort.  The user interface is incredibly simple and straightforward, usually having only one or two sliders plus one or two buttons to press.  That’s it. 

After having played with these tools for a few days, I bit the bullet and used these tools to perform a mass batch denoise-and-upscaling on all of my China .jpgs  Photoshop might have been a little better if you pixel peeped, but Topaz did the whole batch in minutes whereas Photoshop would have taken me a couple of days.  How much more time do I want to spend in front of my computer?  

Bonus!!  Topaz can up-res video too!

20 years ago I flew myself to Hawaii to make this Xaphoon "How it's Made / How to Play" video, showing how the inventor chops down the bamboo from the forests of Hawaii and concert-tunes each instrument just by eyeballing it.  So to test Topaz' Video Enhance AI program, I up-res'd a small clip from that video - the part where he tunes it by eye without measuring anything.  (Remember, all of the bamboo dimensions are different!  How much genius do you have to have to just eyeball it and say, "D should go HERE!"?)  

So below are links to three different versions of that clip: The original SD version, plus an HD and 4K version which were up-res'd by Topaz' Video Enhance AI program.  Aside from some small artifacts (which I think are related to a de-interlacing function I neglected to do), the results are quite impressive, and way better than what I was expecting!  

Original SD version:

HD version:

4K version (!):

Original SD video (left); enhanced to HD (right).  Impressive!

In The Pipeline

Fujifilm X-T4 is being released in stages; Release 1 is now available.

The Friedman Archives Guide to Sony's ZV-1 is now out and available in all formats!

Olympus E-M1 III is being worked on by Tony Phillips.  It can be pre-ordered at a discount here.

Sony A7S III can be pre-ordered at a discount here.

Monster Adapter Update

There's been a lot of interest in the LA-EA4 "Monster Adapter" mentioned in last month's blog.  Since that time I did the surgery using a pre-production board (and made a video so you can see what's involved) and made a two other videos too showing the adapter in use.  Two of my favorite things about it is it can bring new life to my Zeiss 135 f/1.8 lens (lots of other legacy lenses, too!) by giving it Eye AF and Animal Eye AF and the ability to track objects as they travel across the viewfinder.  It also gives my 500mm f/8 mirror lens (the only mirror lens in the world with autofocus when Minolta released it) a new capability - the subject no longer needs to be in the very center!  (On all earlier cameras, only the center focus point could be relied upon due to its enhanced sensitivity and cross-point nature.)  

I've created a mailing list in which I share the videos, the list of compatible lenses, and the results of my testing (both good and bad) so you can know what to expect when this product is ready for global release.  Much more detail (including a video showing the surgery, a list of initially supported lenses and a FAQ) can be had by sending me an email at Gary at Friedman Archives dot com .

I took a few self-portraits of my quarantine beard using the A7R IV, the Zeiss 135 f/8, Monster Adapter, and my phone to trigger it (and to make sure I was centered properly).  Images with black background used just one wireless flash with a beauty dish as a diffuser (not as soft as a softbox; not as harsh as a bare bulb).  For the white background I had a 2nd flash aimed at the back wall.

 A Live Zoom Lecture for your Photo Club

A couple of weeks ago I gave a virtual talk for the Kiawah Island, SC photo club.  I can do this for your photo club too!  Contact me for details.

Until next time...
Yours Truly, Gary "I bang my head against a wall so you don't have to!" Friedman


  1. Video Enhance AI is very impressive, but you really need a high end (and expensive) video card for it to be practical. It can take hours to process just a few minutes of video on a typical home computer.

    1. If you're not in a rush you can just let it run all night (or several nights) while you get some much-needed sleep. That's what I did. But if I were a videographer I'd definitely invest in a high-end card.

  2. Gary, this is a great comparison and it confirms my much less informed opinion as derived from my own scenarios. I've found myself using DeNoise more often than PS and or LR for this task (my use is at a 80/20% split, with the latter being more critical or nuanced images). I also like Topaz Sharpen AI, in particular for bird photography. Per your findings, I need to try out their video tools and get the old videos out! More broadly, their tools are not without flaws, but I credit Topaz for being at the front of bringing the "smartphone app" intelligent and easy workflow to the desktop or laptop masses. That's (at least to me) important; simplicity being one, and maybe modern speed of delivery to client or family being another. Thanks for always providing a great resource for all of us. -- Regards

  3. Pixelmator Pro also offers a number of ML (Machine Learning) functions. I used the software to upscale my Antartica vacation images shot with a Kodak DC-4800 camera (3 mPix!). I wouldn’t have bothered but photo book software doesn’t like small images. The upscaling worked very well I thought.

    There are other ML functions available, including noise reduction and overall image “enhancement”. I have been less impressed with these functions - they seem to be too aggressive.

    Of course, the ML features should improve over time as the models get more training data. I used to have a small program called PhotoLemur that did ML auto enhancement - it failed most of the time. I sent their support some examples of the failures and they (apparently) used them because the next release didn’t have the same problems.

    David Redfearn

    1. Thank you David. PP has been on my machine for a bit and I always fail to give it a fair run. I need to rethink that. Thanks!

  4. Gary I shared your blog post with my Photoshop study group, which has an active interest but divided faith in Topaz products. Several of us are wondering if you have a blog entry detailing your approach to hand-denoising? Is it more than using feathered selections in smooth, high-noise areas and applying just enough Gaussian blurring to remove the noise?

    1. I have small sections in my books detailing my approach to de-noising, which is essentially "Move a couple of sliders". Scott Kelby covers this stuff to death and so there's no reason for me to reinvent the wheel. When I want low noise, I usually just opt for better light. (I know that sounds arrogant... but look at how far that approach has taken me!) GF

  5. Topaz Denoise AI is quite handy; however, I've found Topaz Sharpen AI is very good, particularly the Stabilize and Focus options.

    I also have the other two in Topaz's bundle but have used them very little.

  6. Hi Gary.
    I found your test with Topaz very interesting as i have tried some of the AI type programs and found your results similar to mine. For novice and amateur photographic enthusiasts these programs can help them to improve their images with out the technical skills required by some other programs.
    Yes i could be interested in a virtual talk for our club.
    We have no virus but no incoming visitors either.
    Kind regards

    1. Hi, John! Since you posted as "Anonymous" I have no good way to get in touch with you. Please send an email to Gary at Friedman Archive dot com to talk about a talk (for your club). Thanks! GF

  7. I think Matt Kloskowski did a comparison of various sharpening and denoise apps compared to Lightroom some time ago.
    His main comment was that Adobe are continually doing tweaks of there sharpening and denoise areas all the time but do nt necessarily announce or comment on it - they just do it.
    From what I remember his recommendation was stick with the LR panels and save money - and in some cases a bit of time the others can spend in rendering.

    1. It's so easy to become obsessed with this stuff. I am waiting for the day when someone tells me, "Gee, that's a great picture, but it doesn't look like you used Photoshop to denoise it with". (And when that happens I'll be sure to point out that they shouldn't be ending sentences with prepositions. :-) )

  8. I'm glad to see that sentences are not allowed to end in prepositions in your house either, Gary!

    1. Just don't get me started about "one space or two after a period". :-)

    2. Ha! I've reformed from the days of typewriters. I understand the reliable placing of fonts in modern software diminishes the importance of the added space. Although, old habits don't go away without a fight.

    3. It's a full stop, for a start, Gary ;)

  9. Sorry but your obersvations are VERY odd. For example, on the Dancers with fan photo, you claim Photoshop won by a LOT...are you NOT seeing the horrible artifacts the excesive noise reduction created in your Photoshop version???? You can do the same with Topaz if you like but, I am shocked to see that you do not notice such obvious thing. I would expecet some untrained person to be fooled by such heavy denoising but was expecting a LOT more from you.

    1. Retouching is very often a subjective thing, which is why I presented the results for you to see so you could evaluate and make up your own mind. My interest was in the preservation of detail and not having plastic-looking faces which can happen with over-aggressive NR.

  10. Why pay for an average upscaler like Topaz's? Try these free software Upscales available on the web:
    1) ImgLarger
    2) Lets Enhance
    3) ImgUpscaler.

    All of them easily beat Topaz and some are better than Photoshop CC's current best effort.

  11. Gary, keep the beard. It works for you!

  12. Gary, I'm a fan (and purchaser) of your e-books, but can't agree with your conclusions concerning Topaz AI Clear or DeNoise.
    First, the images you chose do not have the level of detail that would highlight the advantages of the Topaz programs.
    In the student head shots, if you look at the sweaters, you can see much more detail than in the PS version and this also applies to hair in the "headache" photos.
    Any photo that has finer detail instead of just swaths of color, such as animals, grasses, flowers, insects, even the crevices in mountains will make the advantage of the Topaz products apparent.
    I don't dispute that you might be able to get the same results in PS, but it will take a lot more time fine tuning it to each photo.
    Sharpen AI is a lifesaver for a memorable photo that has been ruined by motion blur. The PS version takes forever and I've never achieved similar results. P.S. I'm not associated in any way with Topaz.

  13. Does nobody else see the severe even/odd scan line alignment issue with the two upscaled videos?

    1. I do, and I mentioned it in the writeup. It probably has something to do with de-interlacing. Haven't had time to pursue it. :-(


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